Table 9 The mentolabial angle in idealized images from classical and Renaissance art and sculpture
From: Mentolabial angle and aesthetics: a quantitative investigation of idealized and normative values
Artwork | Artist | Era | Mentolabial angle (°) |
|---|---|---|---|
Doryphoros (Pompeii, now in Naples) | Polykleitos of Argos | Classical Greece | 105 |
Heracles (Naples) | Polykleitos of Argos | Classical Greece | 125 |
Hermes | Apollonius | Classical Greece | 109 |
Aphrodite of Milos (Venus de Milo) | Alexandros of Antioch | Hellenistic Greece | 95 |
Head of a youth in profile (male head) | Leonardo da Vinci | Italian Renaissance | 95 |
Study of the valves and muscles of the heart (male head in profile) | Leonardo da Vinci | Italian Renaissance | 105 |
Woman’s head in profile | Leonardo da Vinci | Italian Renaissance | 128 |
La Bella Principessa | Leonardo da Vinci | Italian Renaissance | 130 |
Idealized head of a woman | After Leonardo da Vinci (unknown artist) | Italian Renaissance | 99 |
Head of a woman in profile | Giovanni Antonio Boltraffio | Italian Renaissance | 118 |
David | Michelangelo Buonarroti | Italian Renaissance | 100 |
Primavera (middle sister, profile) | Botticelli | Italian Renaissance | 117 |
Woman’s profile (from The Three Ages of Man) | Titian | Italian Renaissance | 116 |